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This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

This exhibition presents over 70 prints by 33 Cuban artists who have all worked, at one time or another, at the Taller Experimental de Gráfica de Habana – the oldest, continuously running print workshop in Cuba. The Taller was established in 1962 by muralist Orlando Suarez with the help of Che Guevara, who was then Cuba’s Minister of Industry. From its inception, the workshop has focused on connecting artists with traditional printmaking techniques and fostering a dynamic artistic community based on the sharing and exchange of ideas, experimentation, and art criticism. This supportive community has allowed Cuban artists a relative freedom of expression, even amid the country’s larger political and cultural issues. It continues to be one of the most important workshops in Cuba. The exhibition is pulled entirely from the collection of the Racela Educational and Charitable Foundation.

In honor of the Museum’s 90th Birthday, this exhibit will trace the history and growth of the Museum’s permanent collection beginning with the initial acquisition, in 1928, of a landscape painting by Philadelphia artist Mary Butler. The exhibit will be divided into decades, presenting 10 objects per decade, and will examine the shifting trends and diversity of the Museum’s permanent collection. A wide range of objects will be exhibited including paintings, prints, ceramics, textiles, historical objects, among many others.

Explore highlights of the Museum's collection and learn about the first 90 years of our history!