Calendar

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.

The Springfield Art Museum’s permanent collection contains over 10,000 objects in nearly all media. The works selected for this exhibition were chosen for their ability to reveal the ways in which artists respond to and reveal our cultural identity as Americans. There is no singular or fixed American identity. American art and history is shaped by multiple perspectives, stories, and experiences, and as such, this exhibition aims to present a multiplicity of views within the wider context of historical moments. The exhibition includes 75 works from as wide an array of artistic voices as possible within our current collection, including even more works by women, people of color, Native Americans, and LGBTQ+ communities. This exhibit includes major work by George Caleb Bingham, Asher B. Durand, Jackson Pollock, Wayne Thiebaud, and Alison Saar, among many others.

A major solo exhibition of the work of ceramicist Linda Lopez featuring immersive spaces, mosaics, and porcelain ceramic sculptures. Lopez is a first-generation American artist of Vietnamese and Mexican descent. Her unexpected porcelain sculptures investigate language and identity as imaginatively embedded in the mundane objects around us. Both playful and introspective, her "dust furries” and “mops” accumulate rocks and lint and direct our attention to the potential life of the everyday objects that live quietly alongside us.

This exhibit presents Michael Mazur's full portfolio of 41 etchings illustrating "The Inferno," written by Dante Alighieri in the 14th century. The poem recounts a journey that defines the human condition. Told in the first person, it follows Dante and his guide, the Roman poet Virgil, as they travel through Hell, Purgatory, and eventually Paradise. Each etching is paired with the relevant excerpted portions of Dante’s poem in Italian with English translations by Robert Pinsky.